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More than he seems? Interview with Clarence Greenwood, the elusive musician known as Citizen Cope
Kahlil Gibran, author of The Prophet, wrote: “Out of suffering have emerged the strongest souls, the most massive characters are seared with scars.” Clarence Greenwood, a.k.a. Citizen Cope, has a distinct scar on his face by his right eye from a childhood accident. Cope is a man of few words, both in conversation and in the majority of his songs. However, where there’s a lack of noise, you find the profusion of presence. His deliberate prose echoes in your mind long after the fleeting moments of song have passed. Cope is hard to categorize an eclectic blend of rock, folk, and hip-hop. He prefers “rebel street music.” In his latest release, a luminous Citizen embraces Every Waking Moment, creating a world in which we long to share.
What thoughts or feelings were you realizing throughout your new album?
Well, you always want to have an evolution. I don’t think it’s a huge departure; it’s just hopefully an evolution of what I did in the past.
What was it like working with Carlos Santana?
It was cool. I was really glad that he chose me to be on his record (Shaman, which has sold over five million copies), and then he asked to be on the song (“Sideways”) and I toured with him. Carlos is like an ambassador at this point. He’s out there spreading peace and love, so it’s a good thing.
What’s behind your name Citizen Cope?
My nickname is Cope. When I was first doing demos, I needed a name and I came up with Citizen Cope. There’s not any big meaning behind it.
This issue of movmnt is entitled “Army of Me” what are you fighting for?
I guess I’m just like any other place that’s fighting for a little justice and a voice for people that maybe don’t have a voice. Being able to explain things that everyone feels innately. Sometimes a poet can actually express those things. I guess I’m fighting for your voice and your expression.
Read more: Movmnt Magazine | Citizen Cope Exclusive Interview http://www.movmnt.com/citizen-cope_0041.html
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