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Tickets: $29.50
reserved seats • all ages
non-smoking • handicap accessible
doors open at 7pm

The Pabst Theater
144 E. Wells St., Milwaukee, WI
53202 - directions

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  • "Save Me"
  • "Wise Up"

AIMEE MANN

Aimee Mann is not the sort of person who dwells on the past with self-defeating bitterness or crippling regret.

Whether it’s the natural resilience of her psyche or merely the emotional callous accumulated after years of being used as a corporate speed bag by the music industry, she’s managed to let go of her past battles.

 

Mann’s well-documented battles with labels both major and minor could very easily have left her with an intense spirit of recrimination and malice, but she has wisely chosen to take the higher road by beating the system at its own game with the creation of her own label, Super-Ego Records, and the self-releases of Bachelor #2 in 2000.

During the '80s, Aimee Mann led the post-new wave pop group 'Til Tuesday. After releasing three albums with the group, she broke up the band and embarked on a solo career. Her first solo album, Whatever, was a more introspective, folk-tinged effort than 'Til Tuesday's albums, and received uniformly positive reviews upon its release in the summer of 1993. However, the album was only a small hit, spending only seven weeks on the American charts, where it peaked at 127. Nevertheless, Whatever rejuvenated her career -- after its release, critics were praising her songwriting, as were peers like Elvis Costello, Difford & Tilbrook, and Andy Partridge.

Early in 1995, Mann had a modest hit with "That's Just What You Are," a song included on the soundtrack to the television series Melrose Place. Following the success of the single, Mann was set to release her second solo album in the spring of 1995, but her record label, Imago, filed for bankruptcy before its release. She signed a contract with Reprise Records after Imago went under, but Imago prevented her from releasing any records. For most of 1995, Mann battled Imago in an attempt to free herself from the label, eventually winning her independence at the end of the year.

After her dispute with Imago was settled, she signed with DGC Records. Mann's second album, I'm with Stupid, was released in England in the late fall of 1995 and in January of 1996 in America. Again, it was greeted with positive reviews yet weak sales.

Mann's career got a kick-start in early 2000, however, when she released her soundtrack for the critically acclaimed film Magnolia; the song "Save Me" was later nominated for an Academy Award. Originally available only at live dates, the solo Bachelor No. 2 received national release in the spring. In the summer of 2002, Mann returned to the forefront with the self-released Lost in Space. Late 2004 saw the release of Live at St. Ann's Warehouse, a CD/DVD package recorded during her summer tour. It was followed in 2006 by the critically acclaimed Forgotten Arm, a concept album built around the return from Vietnam of a drug-addicted boxer. Mann released a collection of Christmas songs called One More Drifter in the Snow in 2006. ~ Stephen Thomas Erlewine, All Music Guide

Aimee Mann's new CD is out June 3rd: buy it at atomic

"Freeway"
"Stranger Into Starman"
"Looking for Nothing"
"Phoenix"
"Borrowing Time"
"It's Over"
"31 Today"
"Great Beyond"
"Medicine Wheel"
"Columbus Ave."
"Little Tornado"
"True Believer"
"Ballantines"

The Pabst Theater  |  144 E. Wells Street  |  Milwaukee, Wisconsin  |  800-511-1552  |  414-286-3663  | ©2008 Pabst Theater Foundation